Thursday, December 22, 2011

10 Things We Learned From Axl Rose's L.A. Times Interview



Aside from Axl Rose's interview on VH1's That Metal Show — his first televised chat in more than a decade — Guns N' Roses frontman hasn't spoken to the press on his out-of-nowhere U.S. Chinese Democracy tour. But with questions about the Rock and Roll Hall of Fame induction ceremony looming and a handful of dates left on the itinerary, Rose let Los Angeles Times pop critic Randall Roberts into his private backstage world at Seattle's Key Arena Friday night. Their conversation covered all the usual topics, but we still managed to learn a few things:
1. Axl's Post-Show Wardrobe Is... Casual
The lede kind of says it all: "Axl Rose is wearing a white cotton bathrobe and white tube socks, relaxing on a couch backstage Friday night after a three-hour concert at Seattle's Key Arena, where he'd snaked his way through 34 songs with a version of the band he co-founded a quarter-century ago, Guns N' Roses." That's quite an image.
2. GN'R Are on the Road as Part of a Legal Settlement
Wondering why Rose didn't hit North America when Chinese Democracy actually came out in 2008? And why he's suddenly touring the album three years later? "His current tour is part of a settlement agreement with former GNR manager (and Live Nation Entertainment executive chairman) Irving Azoff that dictated the band do a number of performances with Live Nation as the promoter," Roberts explains.
3. Rose Is Shopping for a New Label Deal
Geffen released Chinese Democracy via an exclusive deal with Best Buy that was a total bust. But Axl isn't done with the label system just yet. "Once I get the next things sorted out with the label, then I feel I can get to that creative place that I've been fighting to get to, and to use Guns N' Roses to do so," he said, later adding, "We're gonna be busy — we're gonna be busy all next year. We'll be putting out new stuff as soon as we can figure out what our deal is with labels, blah blah blah."
4. Rose's Current Manager = Stephanie Seymour's Former Assistant
Beta Lebeis and her two children are running the Axl show now. She calls him "more than a son to me."
5. This Is Because All His Other Managers Were Conspiring to Reunite the Old Band
"They get their commission and they don't care if it falls on its face," Rose sighed.
6. Axl Needed to Figure Out How to Shimmy to His Old Songs Again
Adding older songs to the set list wasn't an easy decision. "It was hard to make myself want to do the old songs again," Rose said. "It was like, I wasn't going around my house dancing to 'Jungle.' To even figure out how to even make myself move to those songs — and how I was going to move to them — that was a big thing to figure out in '06."
7. Axl. Is. Obsessed. With. Slash.
"Despite requests from Rose's publicist that he not be asked questions about the former GNR guitarist, Rose himself mentions his ex-bandmate's name minutes into the conversation and locks onto the subject."
8. The Rock and Roll Hall of Fame Induction Is So Going to be a Shitshow
"There is no plan yet. There really is no plan," Rose said. (We believe you!)
9. The Writer Was Too Scared to Ask Axl About His Many Trips Backstage
He mentions "the little makeshift dressing room that Rose frequently races into during guitar solos" but that's the end of it. Remember, Rose went there 29 times during the band's New Jersey show. C'mon.
10. Axl Has a Poor Understanding of What Air Marshals Do
Trying to make a point about where he's at now in his career, Rose said, "You can say it's my fault, but to me it's like if you're on a plane and somebody trips you and the air marshal arrests you for falling — like it's my fault for allowing somebody to trip me?"

http://www.spin.com/articles/10-things-we-learned-axl-roses-la-times-interview?obref=obinsite Selengkapnya...

review album Snoop Dogg & Wiz Khalifa

'Mac & Devin Go to High School: Music From and Inspired by the Movie'

No Sister Mary Elephant features, just efficiently rendered, high-spirited hijinks
 Over 12 tracks and 36 smoke breaks, Wiz Khalifa and Snoop Dogg incinerate enough chronic to convince themselves they really are the two oldest high school students since Andrea Zuckerman. Throw reality out the El Camino window. Instead, we have this Atlantic Records-assembled blue dream, with the pop-savvy stoners goofing off like their generation’s Cheech & Chong (they wish). The soundtrack to Mac & Devin Go to High School (which exists, apparently, and stars the duo in an attempt to grab some How High-type glory) shows no menace, merely mischief, full of tightly wrapped joints and loose references to “high school.” (Seems Wiz has a real problem showing up to third period on time.) Over ground-up funk, soul, and pop, the pair sound unusually alert, if not you-fill-in-the-blank. They even sneak in Curren$y, Alchemist, and Juicy J to make up for a few cloying baby-baby-baby moments. Ideal for anyone who finds Cypress Hill too sober.

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The Beach Boys Confirm 50-Show Reunion Tour

Kickoff will be at New Orleans Jazz Fest in April

 

After months of rumors, the Beach Boys have finally announced details of their 50th anniversary reunion tour. Brian Wilson, Mike Love, Al Jardine, Bruce Johnston and David Marks will all participate and 50 dates are planned, with the tour kickoff at New Orleans Jazz Fest in late April. "This anniversary is special to me because I miss the boys," Brian Wilson said in a statement. "It will be a thrill for me to make a new record and be on stage with them again."
According to multiple reports, the Beach Boys were going to announce this reunion at the Grammy nominations special on November 30th – but last minute problems caused them to back out of the broadcast. According to Al Jardine, the Beach Boys will appear at the Grammys on February 12th. "There will be a surprise at the Grammys," Jardine tells Rolling Stone. "We'll do something really exciting. There's a lot of interest in it, which is nice. It's going to be a very big operation."
Jardine also says that the group will present a diverse setlist. "We haven't played together in a long time," he says. "The fans are going to want to hear the hits. But there should also be lesser-known ones that are so important."




Earlier this year, the Beach Boys went into the studio to re-record their 1968 classic "Do It Again" for a planned new album. (Watch a video clip of the session above.) Jardine says that additional studio sessions are booked for this month. "It sounded so good we just decided to continue," he says. "There are some new things that Brian has come up with that are really remarkable. 'Do It Again' was done in an afternoon. These songs will take a little more putting our heads together."
Guitarist David Marks played with the Beach Boys between early 1962 and late 1963. He rejoined the touring line-up in 1997, but left two years later due to health problems. "I'm really looking forward to celebrating this important milestone in the Beach Boys' history with the other guys, and with Capitol Records – where it all began 50 years ago," he said in a statement. "It means a lot to me that we can all reunite and pay tribute to the fans who have kept the music alive."
The Beach Boys have been touring in different camps ever since the death of Carl Wilson in 1998. They've exchanged numerous lawsuits and nasty comments in the press, but Mike Love says that negativity is all behind them. "All that stuff is long forgotten," he tells Rolling Stone.
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Lamb of God’s Randy Blythe to Perform with Cannabis Corpse at Cory Smoot Memorial Concert





Lamb of God frontman Randy Blythe will perform with Cannabis Corpse at Cory Smoot’s memorial concert on January 7. The concert for the former Gwar guitarist–also known as Flattus Maximus–who passed away last month, will be held at the Canal Club in Richmond, Virginia.

Blythe has been called in following the departures from Cannabis Corpse of vocalist Andy “Weedgrinder” Horn and guitarist Nick “Nikropolis” Poulos.
“Cory was the guitarist in Gwar who passed away recently and was a friend of mine who recorded my guest vocals on the Jasta CD,” Blyhte commented. “He leaves a pregnant wife behind [their first child] and a mortgage.
“Cory didn’t have life insurance and his wife is going to need every penny she can get with a kid on the way and bills to pay. Although Gwar is a relatively large band and are doing all they can for Mrs. Smoot, the fact of the matter nobody is rich and times will be hard.
“My friends in Cannabis Corpse were scheduled to play the benefit show, but suddenly are having lineup difficulties. So what the fuck and why not?
“On January 7, Cannabis Corpse WILL play — but I will be singing!
“Come check out some brutal death metal for a good cause! I’ll be working on my death metal voice ’till then, pretending to smoke weed and getting deeper than fuck.  I’m quite confident I can properly do the Cannabis Corpse tunes justice AND add something new. Now I need a ‘weed metal’ name!”

http://www.revolvermag.com/news/lamb-of-gods-randy-blythe-to-perform-with-cannabis-corpse-at-cory-smoot-memorial-concert.html Selengkapnya...

Dillinger Escape Plan’s Ben Weinman Remixes Lacuna Coil for ‘Underworld: Awakening’ Soundtrack


Dillinger Escape Plan guitarist Ben Weinman has contributed a remix of Lacuna Coil’s new single “Trip the Darkness” for the soundtrack to the upcoming film Underworld: Awakening. The album also features remixes of tracks from a host of other bands including Evanescence, Ministry, and Linkin Park. The bulk of the remixes have been carried out by former Nine Inch Nails multi-instrumentalist Danny Lohner, a.k.a. Renholdër.
The soundtrack will be released on January 17. Tracklisting below.
01. “Made of Stone” (Renholdër Remix) – Evanescence
02. “Heavy Prey “- Lacey Sturm of Flyleaf feat. Geno Lenardo
03. “Blackout” (Renholdër Remix) – Linkin Park
04. “Apart” (Renholdër Remix) – The Cure
05. “Killer & a Queen” – Stella Katsoudas of Sister Soleil feat. Geno Lenardo
06. “Watch Yourself” (Renholdër Remix) – Ministry
07. “Trip the Darkness” (Ben Weinman Remix) – Lacuna Coil
08. “Young Blood” (Renholdër Remix) – The Naked and Famous
09. “It Rapes All in its Path” – Black Light Burns
10. “The Posthumous Letter” – William Control
11. “How’m I Supposed to Die” – Civil Twilight
12. “Consolation Prize” – & SONS
13. “Liar” (Revenant mix by 8MM) – 8MM
14. “You Won’t See The Light” – Ryan T.Hope of The Lifeline feat. Geno Lenardo
15. “Bottle of Pain” – Combichrist
16. “Intruder” – Collide
17. “Exit Wounds” (Justin Lassen Remix) – Justin Lassen feat. Silent Fury

http://www.revolvermag.com/news/dillinger-escape-plans-ben-weinman-remixes-lacuna-coil-for-underworld-awakening-soundtrack.html Selengkapnya...

Metallica Post Video Recap of Second Night of 30th Anniversary Concerts

Metallica have posted a video recap of the first night of their 30th anniversary shows in San Francisco, earlier this month. In it, you can see Metallica performing with Mercyful Fate, Marianne Faithfull, Armored Saint’s John Bush, and erstwhile bassist Jason Newsted, as well as some of the opening festivities of the night featuring Armored Saint. Watch it below, and let us know what you think of it in the comments.




http://www.revolvermag.com/news/metallica-post-video-recap-of-second-night-of-30th-anniversary-concerts.html Selengkapnya...

ARCTIC MONKEYS' ALEX TURNER: 'I'VE FORGOTTEN HOW TO WRITE A HIT SINGLE'


Arctic Monkeys frontman Alex Turner says he's 'forgotten' how to write a hit single.

The Sheffield bred star says that despite having five Top Five singles between the years 2005 and 2007 with his band, he no longer knows how to make a smash hit.

Turner said: "I have fucking forgotten how to do that… I don't know what that is any more, it's a different landscape these days."

In the interview with The Sun, he also downplayed his singing, saying: "I was never a singer. I have had to practice at that and writing melodies is something that didn't come naturally. I was more comfortable writing lyrics.”

He added: "I am still working on it but I think we are getting there with the singing thing."

To read a full interview with Arctic Monkeys drummer Matt Helders and to find out what's on his Christmas wishlist, pick up this week's special Christmas issue of NME, which is on UK newsstands and available digitally now.
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Courtney Love Challenges Eviction in Manhattan Court

Hole rocker's lawyer says she has paid all due rent

 

Courtney Love has asked a Manhattan Housing Court judge to shoot down her landlord's bid to have her evicted from her West Village apartment. Love's attorney Eric Sherman appeared in court yesterday to file a motion requesting that the matter be dropped entirely since the rocker has caught up on paying her rent.

"The landlord had improperly sought three months' rent at one time – including for the month of January," Sherman told reporters. "She paid the rent due November 15th, and again on December 15th, and she will pay again on January 15th." Love pays $27,000 per month to rent the property.

Donna Lyon, the owner of the building, says that Love violated the terms of her lease by altering the interiors of the building, which had been decorated by the previous resident, interior designer Steven Gambrel. Love's lawyers argued yesterday that the singer actually improved upon the décor. "She'll tell you herself the place is in better shape now than when she moved in," he said.
In a post on xoJane.com, Love insists that Lyon's issues with her decor are unfounded. "I moved into this home only on the condition that I could paint it and when I leave, I'd restore it to exactly what it was," says Love. “Having a landlady tell you your Prelle, $2,000-a-yard fabric used in Jean Patou’s Parisian apartment or your Majorelle, Ruhlman, Regency furniture is 'destructive' is totally weird. My taste is artful and femme, but it's excellent."
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Tuesday, December 20, 2011

Exclusive: Preview of DC Comics’ ‘Justice League Dark,’ Issue Four

Check out this exclusive preview of DC Comics – The New 52′s Justice League Dark issue four, which will not be released until December 28.
Justice League Dark, written by Peter Milligan–whose credits include Human Target and Shade, the Changing Man–tells the story of witch, the Enchantress, who has unleashed forces that even the combined power of Superman, Batman, Wonder Woman, and Cyborg can’t stop. Our fate rests on individuals whose very presence causes ordinary people to break out in a cold sweat–the Changing Man, Madame Xanadu, Deadman, Zatanna, and John Constantine.
In this issue, Madame Xandu’s plan to bring Zatanna, John Constantine, Shade the Changing Man, Mindwarp, and Deadman together is working. But will Xanadu’s manipulations blow up in her face when she learns that Enchantress has grown too powerful to be controlled?


 














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Friday, December 16, 2011

PULP TO REISSUE FIRST THREE ALBUMS IN FEBRUARY 2012

Jarvis Cocker 'It', 'Freaks' and 'Separations' will all be released with bonus material



Pulp are set to reissue their 1983 debut album 'It' along with their 1987 LP 'Freaks' and 1992's 'Separations'.

The re-releases were supposed to come out in August on the Fire label, but a delay means that all three albums will now be released in February 2012.

The albums will be accompanied with new liner notes from rock critic Everett True and have been remastered, as well as coming with new artwork and added bonus tracks.

The 'It' reissue will feature four bonus tracks, including the single version of 'My Lighthouse', an alternative mix of 'Blue Girls', the previously unreleased 'Sink Or Swim' and 'Please Don't Worry' from the band's 1981 John Peel Session.

'Freaks' will come with a bonus disc made up of the non-album singles 'Little Girl (With Blue Eyes)' and 'Dogs are Everywhere' as well as b-sides 'Tunnel' and 'Manon', while the 'Separations' bonus material includes 'Death Goes To The Disco', 'Is This House', an extended version of 'Countdown' and 'Death Comes To Town'.

Pulp's frontman Jarvis Cocker recently blamed the tabloids for contributing to Amy Winehouse's death. He claimed the constant media attention the late singer received on a daily basis forced her to turn to drink and drugs and he went through a similar situation during the height of his fame during the Britpop era.

Cocker told The Guardian: "Amy Winehouse passed away this year and it was all 'Drugs killed Amy Winehouse'. I think that the press killed Amy Winehouse as much as drugs did, because it sends people into that place where they've got no peace, and so they just try to escape. And sometimes you use drugs and drink to do that." 


http://www.uncut.co.uk/news/jarvis_cocker/news/15345 Selengkapnya...

Fallen Heroes: Remembering the Rockers We Lost in 2011

With every passing year come awesome albums and badass concerts. But there also inevitably comes the crushing news that more of our rock-and-roll heroes have shed this mortal coil. In 2011, we bid farewell to current and former members of Motörhead, Alice in Chains, Manowar, Gwar, and others; we at Revolver also lost one of our own. So as 2011 draws to a close, we pay our respects to the dearly departed. Rest in peace

Gary Moore
Thin Lizzy
Died February 6
Guitarist for Irish rockers Thin Lizzy during several periods, Moore is more renowned and revered as a solo blues axman, whose playing reverberates in the six-string work of everyone from Slash to Opeth’s Mikael Åkerfeldt. Metallica’s Kirk Hammett even cites him as one of his top five guitar influences, pointing to the solo in “Master of Puppets” and riffs he wrote for “The Unforgiven” as being inspired by Moore.

Phil Vane
Extreme Noise Terror
Died February 23
Vane made his name as the absolutely ferocious vocalist of pioneering UK crust-punk outfit Extreme Noise Terror, with whom he helped spearhead the late-’80s grindcore movement. He even briefly fronted grindcore originators Napalm Death, switching places with singer Barney Greenway, who appeared on ENT’s Damage 381 before returning to NP.

 Mike Starr
Alice in Chains
Died March 8
The original bassist of Alice in Chains, Starr’s tense, throbbing bass lines underpinned classic grunge-metal albums like Facelift and Dirt. After splitting with the group while it was touring in support of the latter album, Starr formed supergroup Sun Red Sun alongside former Black Sabbath members Ray Gillen and Bobby Rondinelli, and later toured with Days of the New.


 Scott Columbus
Manowar
Died April 4
Columbus was the longtime drummer of battle-metal barbarians Manowar, and his playing style was fittingly brutish: The skinsman pounded what he called the “Drums of Doom,” a kit made of stainless steel because his hit so hard that when he used standard kits, they had to be replaced too regularly.



 Seth Putnam
Anal Cunt
Died June 11
The sick genius/retard behind Anal Cunt and grindcore micro-blasterpieces including “Women: Nature’s Punching Bag” and “Body by Auschwitz,” Putnam was extreme metal’s shock-rock provocateur bar none. He also famously feuded with Cannibal Corpse/Six Feet Under vocalist Chris Barnes (culminating in the AC tune “Chris Barnes is a Pussy”) and provided backing screams to songs on Pantera’s The Great Southern Trendkill.



 Mario Comesanas
December Aeternalis, Low Road
Sirius-XM Liquid Metal, Revolver magazine
Died June 13
Hired in 2006, Comesanas was Revolver‘s longtime promotions director and our man on the road with Mayhem Fest from 2008 to 2010. A DJ on Sirius-XM’s Liquid Metal channel, he was a diehard champion of heavy music, as well as a musician in his own right, singing for death-metal outfit December Aeternalis and hardcore band Low Road, which was recording its debut with producer Joey Z, of Life of Agony, at the time of Comesanas’ passing.


 Michael “Würzel” Burston
Motörhead
Died July 9
Guitarist for the mighty Motörhead from 1984 to 1995, Würzel laid down the licks on rumbling punk-metal landmarks like Orgasmatron and Rock ‘n’ Roll. He got his nickname while in the army, but Lemmy gave him the umlaut. At the time of his death, he was working on an album with his new band, Leader of Down.



 Jani Lane
Warrant
Died August 11
One of the great frontmen of ’80s glam metal, Lane will probably be best remembered for the song and video, “Cherry Pie,” if not for bedding and wedding the clip’s smokin’ starlet, Bobbi Brown. In more recent years, the vocalist had gone solo, appeared on VH1′s Celebrity Fit Club 2, and toured with Great White.


 Cory “Flattus Maximus” Smoot
Gwar
Died November 2
Adopting the role of Gwar’s red-faced, white-dreadlocked, dinosaur-shoulder-padded alien guitarist, Flattus Maximus, in 2002, Smoot came to be considered by fans as the “True Flattus” since he was longest serving axman to play the character. He was also a major songwriter on the four Gwar albums he played on. After his death, bandleader Oderus Urungus announced that the character of Flattus Maximus would be retired.

http://www.revolvermag.com/news/fallen-heroes-remembering-the-rockers-we-lost-in-2011.html

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Metallica Wrap Up 30th Anniversary Shows With Monster Sets, Special Guests


Singer-guitarist James Hetfield was so impatient to get started on December 9th, the third night of Metallica's 30th-anniversary celebration at the Fillmore in San Francisco, that he jumped behind Lars Ulrich's drum kit, hitting a chase-scene rhythm as he waited for everyone else to get on stage. "C'mon, Lars, c'mon!" Hetfield barked, apparently none the worse for wear after a four-hour soundcheck that day and eight straight hours of rehearsal on the 8th, technically an off-day.
"How are we going to top Wednesday?" Ulrich asked the crowd when he finally got into position. The answer: an opening half-hour of the most extreme music that he, Hetfield, guitarist Kirk Hammett and bassist Robert Trujillo played all week. As they had at the first two shows, Metallica started with an instrumental, "Suicide and Redemption" from Death Magnetic, a long dynamic tangle of subterranean throb, mid-tempo-blues anger and, at one peak, a Thin Lizzy-does-Ennio Morricone passage of harmonized guitars. "Master of Puppets" immediately followed – a rarity this early in a Metallica set. Right after that: "And Justice For All," performed in full with vicious relish and no hint of exhaustion.
As if that wasn't man enough, after a handful of relatively short shocks including "The Thing That Should Not Be" from Master of Puppets and the Mission: Impossible II-soundtrack nugget "I Disappear," Metallica revived the whole of "The Outlaw Torn" from Load. Almost as long: the live debut of "To Hell and Back," the third of the week's Death Magnetic outtakes, which combined that record's wall-of-thorns corrosion with Master's headlong thrash.
Animal TimeAfter that nerve and fury, a little anti-climax was inevitable. The guest-stars half of the show included a version of Lynyrd Skynyrd's "Tuesday's Gone" with, frankly, too many guitarists. The pals were all top-drawer – Faith No More's Jim Martin, Pepper Keenan from Down and Corrosion of Conformity, and Skynyrd's own Gary Rossington – but their contributions were obscured by the mass of amp buzz and bent-note cries. Judas Priest's Rob Halford hasn't lost a shred of shriek but looked like he'd misread his invitation, turning up to sing "Rapid Fire" from Priest's 1980 album, British Steel, in a black formal-dinner suit, without a single biker's stud.
Glenn Danzig was in jet-black as well for his Misfits cameos, belting "Die Die My Darling" and "Last Caress/Green Hell" with dark-lord vigor, and prodigal Metallicat Jason Newsted made his nightly apperance, playing second bass on "Fuel" and Ride the Lightning's "Fight Fire With Fire." But the evening's biggest surprise was Animal from the vintage-British-punk band Anti-Nowhere League. Towering over Hetfield in biker gear and Desert Storm khaki, the singer sold the profane disdain of the League's 1981 B-side "So What" with offensive delight. Animal wasn't the biggest name on the stage that night, but Hetfield aside, he was the night's true god of waaaargh!
The Big Finish"Maybe we should play 'Suicide' again – at least the first two minutes," Ulrich said, before Metallica had finished plugging in on December 10th. So they did, reprising the hammering bass-and-drum intro to "Suicide and Redemption," which the band felt was a little less than stellar the night before. "This is the only way we can do it . . . all or nothing," Hetfield told the crowd earlier, reflecting on the 77 different songs in the four set lists and the hours of rehearsal and soundchecking that went into them that week. "Thank you for pushing us to another level."
That meant one more Death Magnetic outtake ("The Rebel in Babylon," actually the most complex of that album's orphans), more action with Newsted and a rare pair of props for the underloved 2003 album, St. Anger: "Dirty Window" and "Frantic," with that album's producer, Bob Rock, getting some well-deserved spotlight on bass. Three Black Sabbath covers came with a pair of real-life Sabbaths, singer Ozzy Osbourne and bassist Geezer Butler.
The Old School, Back in SessionThe proper climax, though, was a full-scale reconciliation, including virtually the whole of 1983's Kill 'Em All. Estranged guitarist and Megadeth boss Dave Mustaine, who was fired shortly before that album was recorded, reunited with his former band and three of the songs he co-wrote for them: "Phantom Lord," "Jump in the Fire" and "Metal Militia." Mustaine kept to his side of the stage, rarely venturing as far as Ulrich's drum riser, as if he couldn't help seeing wasn't the chasm that between him and what might have been – not so much the road not taken as taken from him. But his solos were first-class, kinetic upper-fret shreds that proved the original dissent was not over talent.
The history lesson continued with appearances by original bassist Ron McGovney, guitarist Hugh Tanner – Hetfield's high school friend and bandmate in the pre-Metallica combos Phantom Lord and Leather Charm – and guitarist Lloyd Grant, who played the solo on the original 1982 Metal Massacre version of "Hit the Lights." Grant reprised his breaks in "Hit the Lights" with vintage flair (later, up at the VIP bar, he swore he'd been even better at soundcheck), and everyone, with Newsted, was present for a last lunge through "Seek and Destroy."
The only missing alumnus was the late Cliff Burton. But his memory and hardcore spirit had been everywhere all week, in the set lists ("Orion," "To Live Is to Die") and nightly segments of reminiscence. At one point during the Burton tribute on Friday, Jim Martin asked Hetfield, "Did he ever call you 'dick'?" "Almost every day," Hetfield replied with fond laughter, as if he'll never stop missing it.

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Trent Reznor Shares Release Info for How to Destroy Angels Album

Rocker also expecting second child with wife and bandmate Mariqueen Maandig


How to Destroy Angels – the new rock project from Trent Reznor, his wife Mariqueen Maandig and The Girl With the Dragon Tattoo co-composer Atticus Ross – is almost ready for their grand debut. "[We are] finishing our full-length record, which has fully matured our sound into something that is very unique," Reznor tells Rolling Stone. "I can’t wait for that record to come out, actually probably [in the] first quarter of next year."
The new album, which follows a previously released EP, subtly shifts the band's sound into richer territory. "When we did the first EP, it was the result of six weeks in the studio, just kind of seeing what happened," Reznor explains. "We didn’t have a lot of time to explore that much and figure out what our sound is. It felt very close to other projects I’ve been involved in or direct influences, let’s say. [This] sounds like How to Destroy Angels now, instead of sounding like other stuff, so I’m proud of that and I’m excited to unleash it into the wild here."
For the forthcoming, still-untitled record, the trio had to juggle two members' other high-profile project: during recording, Reznor and Ross were in the process of creating their score for the upcoming film The Girl With the Dragon Tattoo, the follow-up to their Academy Award-winning music for The Social Network. "We’d do three weeks of The Girl With the Dragon Tattoo and need a break from the heaviness and ugliness of that and switch over to How to Destroy Angels," says Reznor. "That became much more rhythmic and not any happier, but it really started to take on its own identity. We were influenced by early Cabaret Voltaire – it’s very deconstructed rhythmically and more textural. Mariqueen found her place; we used her in a quite interesting way, I think."
Turns out, Reznor and Maandig will be much busier soon; as he reveals to Rolling Stone, the couple is expecting their second child. "At the moment, I’ve got a baby due in a couple of weeks and that’s my main priority, to have that show come off without a hitch," he says. After that, he suggests, How to Destroy Angels may attempt a tour. "We’ve been discussing the idea of playing some live shows. I can’t tell you that I’m dying to go on a year-long tour right now, but I am feeling the itch of performing live in some capacity."
Regardless of How to Destroy Angels' next step, Reznor is pleased with the band's experimentation. "Really, why I stopped Nine Inch Nails as a live entity was because it started to feel like I’ve done it, I’ve done it, and I’ve done it again. [I] started to feel like I needed reinvention and I needed to force myself into that," he explains. "How to Destroy Angels has been an interesting creative outlet. I think when people hear what we’ve been up to, it will be very validating on my part."
The fact that the band is unproven to audiences only adds to the allure. As he enthuses, "It’s scary and the possibility of failure exists, so that’s exciting to me."

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Behind the Murder of 'Dimebag' Darrell

Deranged fan killed guitar hero and three others at Columbus, Ohio show

This story is from the December 30, 2004 issue of Rolling Stone.
A young fan obsessed with heavy metal shot and killed former Pantera guitarist "Dimebag" Darrell Abbott and three other people during a show by Damageplan, Abbott's latest band. The tragedy took place on the evening of December 8th at the Alrosa Villa nightclub in Columbus, Ohio.
The shooter, Nathan Gale, 25, was killed by a Columbus police officer minutes after the violence erupted. A stocky former Marine, Gale was reportedly upset that Pantera had broken up – last year – and may have blamed Abbott for the band's acrimonious split. The deaths came on the twenty-fourth anniversary of the murder of John Lennon.

The other victims were 23-year-old fan Nathan Bray, Damageplan crew member Jeff "Mayhem" Thompson, 40, and club employee Erin A. Halk, 29.
Abbott, 38, was known as an expressive guitarist who brought the fluid dynamics of Eddie Van Halen's technique to Pantera's much harder power-groove thrash. One of the Nineties' most uncompromising metal acts, Pantera were also one of the most successful: During its 18-year career, the band sold more than 7 million records, according to SoundScan; 1994's Far Beyond Driven entered the charts at Number One and sold 1.4 million copies.
Four bands were on the bill at the Alrosa Villa, and about 250 people, paying around eight dollars per ticket, had shown up, well short of the venue's capacity of 600. Members of a local group, Volume Dealer, one of the opening acts, dressed in combat fatigues. Another local opener was named 12 Gauge.
In the chilly darkness, Gale had been hanging out in the club's parking lot while the music pounded inside. A construction worker from Marysville, Ohio, a blue-collar suburb twenty-five miles northwest of Columbus, Gale stood six feet three and weighed more than 250 pounds. He wore thick glasses and a Columbus Blue Jackets hockey jersey over a hooded sweat shirt.
"Hey, man, why aren't you watching the show?" a fan asked him.
"I don't want to see no shitty local bands," he said.
"You can at least go inside and stay warm."
"No, man," Gale said. "I'm gonna wait for Damageplan."
Club manager Rick Cautela pegged Gale as a harmless hanger-on – one without a ticket. "He was just a crazy fan trying to talk to members of the band," Cautela said. "One of my guys who helps to set up the bands eventually told him to leave."
Instead, as Damageplan took the stage, Gale jumped a six-foot-high fence and rushed into the club through a side door. Walking swiftly past pool tables, a bar and the sound booth, he reached the left side of the stage. Witnesses thought Gale, whose head was shaved, wanted to stage-dive. It was about ninety seconds into the first song of the set, Damageplan's new single, "New Found Power."
"The dude was way determined," said Billy Payne, the singer for Volume Dealer, who saw Gale enter the club. "He was on a mission. He looked angry. He was walking like he was going into battle."
Onstage, Gale drew a Beretta 9mm handgun and headed straight for Abbott. Joe Dameron, bass player for Volume Dealer, thought Gale shouted something about Pantera, but he wasn't sure. "With the feedback, I didn't hear what he said," Dameron said. "I saw him open his mouth to yell something, but I don't know what it was. He just looked determined." Gale shot Abbott – who was headbanging, his hair in his face – at least once in the forehead. "Dime was doing his thing," said Aaron Benner, a fan who was standing nearby. "He gets really into it, so he was blindsided."
Cautela, who was tending bar, thought firecrackers had gone off. Others figured the speakers had popped or somebody had fired a cap gun. "I thought they were playing a big gimmick," said Ryan Melchiore, who was working security. "People were pumping their fists, thinking it was a hoax." Cautela kept pouring drinks.
The music stopped; drummer Vinnie Abbott, Darrell's brother, stood up behind his kit. Abbott's guitar began to emit feedback in a high-pitched shriek.
A security guard tackled Gale, who continued to shoot into the crowd. One bullet grazed the arm of a Volume Dealer roadie, Travis Burnett, a burly former soldier who dropped his beer and ran toward the stage to try and disarm the shooter. "I asked him, 'Dude, what the fuck are you doing?'" Burnett said. "He was like, 'Get out of here, get away.' As I went to grab him, he shot at me. The bullet went through my shirt, and I didn't even feel it."
Darrell Abbott lay on the stage, bleeding from his head. While most fans fled, one concertgoer, Mindy Reece, a registered nurse from Columbus, rushed forward. "I said, 'Fuck this, I'm a nurse,'" said Reece. "'He needs help.' I did chest compressions for fifteen to twenty minutes. I kept saying, 'Dimebag, come on, come on, please, stay with me.'" Abbott was near death by the time paramedics arrived.
From the backstage area, Officer James Niggemeyer appeared, carrying a twelve-gauge Remington shotgun. He walked past a stack of amplifiers and saw Gale, who had taken a male hostage. Holding his gun to the unidentified man's head, Gale began moving toward the rear of the club. From twenty feet away, Niggemeyer fired once, killing Gale.
Nathan Gale, according to people in Marysville, was troubled, but not prone to violence. He enlisted in the Marines in 2002 but left the Corps, for as yet unknown reasons, eighteen months later. He worked on construction sites; in an oil-change shop, Minit Lube; and as a landscaper. Gale also played offensive guard for Lima Thunder, a local semipro football team. On the team bus, Gale could often be found with his headphones on, listening to Pantera.
On November 17th, at 3:20 A.M., police arrested Gale for driving with a suspended license. By then, friends told the Columbus Dispatch, Gale had changed; he'd begun talking and laughing to himself. He told a friend that Pantera had stolen his songs and that he was going to sue them.
Lucas Bender, manager of Bear's Den Tattoo in Marysville, across the street from Gale's house, said Gale was a frequent visitor. "He got a tattoo on his right or left forearm, a big custom-design tribal," said Bender. "He also got his ear pierced about a week or two ago. He came in on a daily basis. I tried to keep him away from the clientele; he kind of gave everyone a weird impression."
Bender said Gale told him he'd left the Marines due to mental problems, was taking medication and may have been bipolar. "Nathan was infatuated with guitarists," said Bender. "One of our tattoo artists plays guitar, and Nathan started trying to hang out with him."
As police officers and detectives flooded the Alrosa Villa on December 8th, Vinnie Abbott escaped into the Damageplan tour bus. He climbed into Dimebag's bunk and wept.
"Damageplan loved us," lamented Billy Payne, the Volume Dealer singer. "They told us to stay after the show, they were going to talk to us and have drinks with us. It was a local band's dream maybe coming true – turned into a nightmare."

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Duff McKagan, Tom Morello, Sebastian Bach Rock for Dimebag Darrell

Marathon 'Dimebag Bash' features slew of all-star jams

 

"This is amazing. I've never seen so many rockers in one place," System of a Down frontman Serj Tankian was saying last night backstage at Hollywood's Key Club, just before going to rehearse a version of Bruce Springsteen's "Ghost of Tom Joad" with Tom Morello.
The occasion was the Dimebag Bash, the annual tribute to late Pantera guitarist Darrell "Dimebag" Abbott, who was tragically murdered on stage in 2004. Members of Pantera (including bassist Rex Brown), Rob Zombie guitarist John 5, Disturbed's David Draiman, Sebastian Bach, Ben Harper, Duff McKagan and many more descended on the venue to honor Abbott's memory. "It still hurts," Alice in Chains guitarist Jerry Cantrell told Rolling Stone.
Everyone there gave it their all, rocking out on songs by Dio, like "Man On The Silver Mountain," "Heaven and Hell" and "Mob Rules"; and Metallica*, including "Seek and Destroy," sung by Draiman, and "Cemetery Gates," led by Bach. But the night also served as a tribute to metal in general. Bach, a ubiquitous frontman, also rocked Van Halen's "Unchained" and "Ain't Talkin' 'Bout Love." And with so many different musicians in the house, the night stretched beyond metal, like the Springsteen track performed by Tankian and Morello. And in the midst of almost five hours of metal mayhem, there was a lovely acoustic rendition of Pink Floyd's "Wish You Were Here."

Thanks to Abbott's widow, Rita Haney, all proceeds from the concert went to Wendy Dio's charity Stand Up and Shout, which raises money for cancer research; her husband, Ronnie James Dio, died of stomach cancer in May 2010. And ultimately, a night dedicated to both Abbott and Dio was about the best of the music they created and loved. Somewhere around 1 a.m., it ended as loud as it began, with Draiman leading the musicians in Pantera's "Walk."

 


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Tuesday, December 6, 2011

PAUL MCCARTNEY JOINED ONSTAGE BY RONNIE WOOD IN LONDON - VIDEO



Paul McCartney teamed up with The Rolling Stones guitarist Ronnie Wood during his gig at London's O2 Arena last night (December 5) - scroll down and click below to watch fan footage of the hook-up.

The former Beatle was playing his only London show of 2011, when towards the end of his set, he told the audience he "had a surprise" for them.

He then ushered a denim-clad Wood onstage, having the guitarist play along with him on The Beatles' 1969 classic 'Get Back'. At the song's finish, Wood and McCartney hugged each other before the former left the stage.

The three-hour, career-spanning set included a number of Beatles tracks McCartney had never played in the UK before, including 'The Night Before', 'The Word' and 'Come And Get It'.

The latter track, although demoed for The Beatles' 'Abbey Road' album, wasn't officially released by the band until 1996 when it came out on their Anthology series. It was a Number Seven hit for Badfinger in 1970 though, after McCartney gave them the track.

Audience members at the London show included comedian Bill Bailey and Boo Radleys songwriter Martin Carr.

Paul McCartney played:

'Hello, Goodbye'
'Junior's Farm'
'All My Loving'
'Jet'
'Drive My Car'
'Sing The Changes'
'The Night Before'
'Let Me Roll It'/'Foxy Lady'
'Paperback Writer'
'The Long And Winding Road'
'Come And Get It'
'Nineteen Hundred And Eighty-Five'
'Maybe I'm Amazed'
'I've Just Seen A Face'
'I Will'
'Blackbird'
'Here Today'
'Dance Tonight'
'Mrs Vandebilt'
'Eleanor Rigby'
'Something'
'Band On The Run'
'Ob-La-Di, Ob-La-Da'
'Back In The USSR'
'I've Got A Feeling'
'A Day In The Life'/'Give Peace A Chance'
'Let It Be'
'Live And Let Die'
'Hey Jude'
'The Word'/'All You Need Is Love'
'Day Tripper'
'Get Back'
'Yesterday'
'Helter Skelter'
'Golden Slumbers'/'Carry That Weight'/'The End'


McCartney's next UK gig is at Manchester's MEN Arena on December 19, with a Liverpool date at the city's Echo Arena following a day later (20).





http://www.uncut.co.uk/news/paul_mccartney/news/15318
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RADIOHEAD'S JONNY GREENWOOD SET TO SCORE NEW FILM 'THE MASTER'



Radiohead guitarist Jonny Greenwood is set to score a new film, which is titled The Master.

The film is a drama set in the 1950s and is confirmed to star Philip Seymour Hoffman, Amy Adams and Joaquin Phoenix. It is due to be released sometime in 2013. The film is being directed by Paul Thomas Anderson, who also made There Will Be Blood, for which Greenwood also provided the score.

The guitarist has worked extensively in film scores in recent years, writing music for both We Need To Talk About Kevin and Norwegian Wood as well as documentary Bodysong.

Greenwood is set to work with jazz group Zed U on 'The Master' score. Manager of the group's record label Oliver Weindling actually broke the news of Greenwood's involvement in the project, tweeting via Twitter.com/babellabel: "Zed-U recorded part of soundtrack for Jonny Greenwood of Radiohead last week. Film (by Paul Thomas Anderson) to appear in 2013".

Radiohead released their latest studio album 'The King Of Limbs' earlier this year and are set to tour the world throughout 2012, with live dates beginning in late February and ending in November.

The band have already announced two European festival appearances, a 10-date North American tour for February 2012 and five shows across Europe for June and July, but have yet to schedule any UK shows. These are expected to be announced in the coming weeks.

http://www.uncut.co.uk/news/uncut/news/15314# Selengkapnya...

Ryan Adams 'Lucky Now' on 'Letterman'

Singer-songwriter Ryan Adams returned to the Late Show with David Letterman last night to perform "Lucky Now," a highlight from his most recent album, Ashes and Fire. Adams played the song entirely by himself, resulting in an unusually intimate performance for a late night show that highlighted the sweet, vulnerable quality of the song.



Read more: http://www.rollingstone.com/videos/new-and-hot/ryan-adams-lucky-now-on-letterman-20111206#ixzz1foL0j4NE Selengkapnya...

The Darkness to Return to U.S. in 2012

 By all accounts from their recent U.K. tour, the reunited Darkness have got back the swagger of their 2003 debut, Permission to Land. Frontman Justin Hawkins tells Rolling Stone that is indeed the case. "For every person that loved us another person hated us. That used to annoy us, but now it turns us on again," Hawkins says.
Hawkins and his band mates will bring that bravado back to the North America early in 2012, for a brief tour starting February 1st in Toronto. The group will be showcasing older material, including the entirety of the debut album, as well as songs from their forthcoming record. "There’s one called 'I Can’t Believe It’s Not Love,' and I suppose it’s the nearest equivalent the new set of songs has to 'Friday Night' or something like that," he says. "It’s an acoustic-y, swing-y one with a massive guitar solo in the middle. Then there’s another song called 'Nothing’s Gonna Stop Us,' which has been in the set for a while. There are probably seven or eight tracks we’ve actually done live, all of which will make it onto the record probably."
He adds the probably because while the band thought the new album was done, after living with it for a while they've decided to add some more tracks and work on a few they feel need that something special. To achieve that sound they'll be heading to Nashville in January. They're hoping to work with a particular producer, though Hawkins wouldn't reveal who – "I don't want to jinx it," he says. Whoever the producer might be, Hawkins doesn't believe the new material will take on a country twang, though he is a Nashville fan.
"I doubt there’ll be pedal steel, but I’m definitely not averse to it because I love that sound," he says. "But I think it’s a great place to go anyway just to spend some time there."
A U.K. rock band going to Nashville to record definitely fits in with the new/old philosophy of the Darkness, which is based on taking chances. That lack of risk is why Hawkins quit the band in 2006. "We started doing stuff because we were trying to cling onto the achievements we’d made with the first record," he says. "And that’s definitely the main reason why I left, I felt like we’d stopped being creative and being fun in the name of desperately trying to maintain something."
Part of that of course stems from the immediate success of Permission to Land, and the youthfulness of a band enjoying big time rock stardom. After five years away, the group is older and has a better perspective, but Hawkins gives a surprisingly honest answer when asked if he's m0re equipped to handle success the second time around.
"I’d love to say yes, but I actually thought that I was pretty well prepared last time around because I didn’t care for the hype whether it was negative or positive. I just took everything with a pinch of salt and I was just having a great time. And then somewhere along the line that changed," he says. "You’ve got to hope with the benefit of that experience it’s gonna be different. I certainly don’t anticipate letting it get to me in the same way cause that’s what happens isn’t it? You do stuff and you end up with rhino skin thinking nothing can defeat you."
Rather than worrying about maintaining any success, the band is just enjoying the second time around, especially with the benefit of some new fans seeing the Darkness for the first time. "There are people who are seven years old, 10 years old, who heard us on the radio or saw us on the TV and never got a chance to come and see the show. And now they’re coming to the shows, so when we’re playing in the front row it’s younger than it was before," he says. "It’s really kind of exciting, we’re seeing things that we never used to see, like mosh pits and stage invasions and crowd surfing."
Hawkins is finding the new fans invigorating. "You really do feed off it, it reminds me of all the reasons we wanted to do it in the first place."
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'Sons of Anarchy' Releases Indie Soundtrack

Show's music supervisor says 'the songs become the narrative' on 'Songs of Anarchy'

The FX television series Sons of Anarchy is known for its brutal depiction of biker life in the fictional town of Charming, California, but another hallmark of the series is its clever use of independent music. Its new soundtrack, Songs of Anarchy, explores the program's use of up-and-coming artists to convey the gritty reality of the motorcycle club's members and those closest to them.
"I think sometimes of the music as a character in and of itself," music supervisor Bob Thiele, Jr. tells Rolling Stone. "The songs become the narrative. They're moving the story and functioning emotionally like some of the characters would."
Thiele is a member of what he calls the Sons' "house band," the Forest Rangers, who play on the majority of Songs of Anarchy and have appeared in a few episodes. Sons actress Katey Sagal sings on four of the album's tracks, and Kills singer and SoA fan Alison Mosshart joins the Forest Rangers on a cover of Louis Armstrong's "What a Wonderful World."
Random Notes: Hottest Rock Pictures


Despite music's major presence on the show, producers have waited four seasons to release a soundtrack. "Halfway through season two, we knew there was a soundtrack somewhere, but Fox is a big company and they had a little show called Glee," says Thiele. "It's hard to measure up to that."
Adds fellow SoA music supervisor Michelle Kuznetsky, "I think that now is the right time, exactly." And perhaps it is: season four is the highest-rated one yet for the series. The finale airs December 6th at 10 p.m. ET/PT on FX.

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Tegan and Sara Play Old Favorites From 'Get Along'

Sister duo performs stripped-down set at Rolling Stone 

Canadian pop duo Tegan and Sara stopped by the Rolling Stone studio recently to play a few songs from their new concert album Get Along. After the set, the twin rockers chatted with us about how they nearly left their hit "Walking With A Ghost" off their album So Jealous and their blog post from earlier this year which called out Odd Future for their misogynistic and homophobic lyrics.












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She & Him - 'A Very She & Him Christmas'

 Sufjan Stevens brought indie rock to the Yuletide table, and She & Him's wistful cuteness is an even safer bet -- though their inevitable album of holiday standards could stand a shade less reverence. The mood ranges from melancholic to lighthearted, with nods to various Crooners of Christmas Past (Frank Sinatra, Elvis, Brenda Lee) throughout. "Baby It's Cold Outside" is the money shot, with M. Ward standing in for Zooey Deschanel's Elf costar Will Ferrell, and their gender-role reversal is a nice twist: Now she's trying to talk him into staying, and what fool could resist?

http://www.spin.com/reviews/she-him-very-she-him-christmas-merge Selengkapnya...

Mary J. Blige - 'My Life II... The Journey Continues (Act I)'

Amid overwrought theatrical gestures, MJB still finds a slinky groove

For someone who heard her first hits played on the radio while still living in the projects, hip-hop soul's Queen of Pain has rarely repeated herself. Since taking more songwriting control with 1994's My Life, she has chased her wrenchingly emotional autobiography across every R&B style, cycling through producers like hairdos, often peaking on deep cuts. So forgive the clunky title, Dolly Parton-worthy schmaltz, and wack "Ain't Nobody" cover, and cherish such funky, mid-tempo beauties as "Irreversible," "Midnight Drive," and "Someone to Love Me (Naked)," where she gets name rappers to slow down like lovers.

http://www.spin.com/reviews/mary-j-blige-my-life-ii-journey-continues-act-i-matriarchgeffen Selengkapnya...

The Roots - 'undun'

Philly crew's 13th album has an intriguing concept and artful playing, but lacks a leading man


Does anyone still consider the Roots to be harbingers of a kinder, gentler, more approachable iteration of hip-hop? Because ever since 2004's The Tipping Point (their one consensus flop), each new album has been more dogged than the last in its determination to confront the unconverted, and undun is their most uncompromising work yet, 14 tracks clocking in at a blunt 38 minutes with nothing that feasibly could be considered a "single." It also continues the indie-folk all-stars summit begun on last year's How I Got Over with a concept album inspired by, no joke, Sufjan Stevens.
No, the similarity to Greetings From Michigan has nothing to do with civic pride or xylophones: instead, the Philly crew clearly fixated on Stevens' vivid characters, crippled by an absence of real choices and manipulated by economic forces they neither can alter nor understand -- sound familiar? And so undun introduces an everyman hustler named Redford Stephens, his story told in reverse, starting with a flatline beep. The attitude of Roots MC Black Thought is unrelentingly grim throughout, and even the occasional nods to gangsta opulence -- lobster dinners, Just Blaze beats -- are treated as a brief respite from a relentless flood of garden-variety hassles.
The music itself is phenomenal, harkening back to Curtis Mayfield and Donny Hathaway's storytelling classics with understated funk, analog warmth, and just plain tremendous mixing -- "Kool On" works wiggly guitars into something irrepressibly funky, and although the impossibly lush, two-minute instrumental coda of "Make My" takes up a relatively large piece of real estate on such a short record, it really should be longer. Yet even with all the conceptual heft and cerebral satisfaction, undun is a strange experience, the narrative both diluted and made redundant by a glut of guest rappers, from those in the band's extended crew (Greg P.O.R.N., Dice Raw), who simply reprise their approaches from earlier albums, to turns by Big K.R.I.T. and Phonte, rappers too philosophically similar to Black Thought. Is the lack of contrast or innovation a conscious decision to illustrate the endless, unchanging plight of a lower-level drug dealer?
But the biggest problem of all lies right in the center: Black Thought himself. As a technician, his flaws are few, and he's bullshit-free, values-based, and always ready with a brusque slogan -- "There I go from a man to a memory." He's ideal for public office, but he never gives Redford a pulse. Thought's tales of the day-in, day-out grind -- bitter rivals, unforgiving cops, the dollar's unyielding lure -- scan as surprisingly rote. Is this, too, supposed to be indicative of the pathetic universality of the hustler lifestyle? Or are we stuck with the same arguments about Black Thought's charisma or lack thereof even after he's been handed the juiciest role of his career?
It's a shame, since undun feels like a legitimately weird and risky experiment, pushing the Roots into territory they may not be equipped for: See the four-part orchestral suite -- "Redford (For Yia-Yia & Pappou)" -- which serves as the "big finale." Once again, it's great in theory, but also completely marooned from the rest of the record, and does little besides remind you that ?uestlove is a very, very good drummer. Sure, the Roots work hard and play hard on undun, but there's not enough pleasure to balance out Thought's business-like, consummately bland reading of the character who's supposed to bring the entire album to life.


http://www.spin.com/reviews/roots-undun-def-jam Selengkapnya...

Arctic Monkeys and Black Keys Team for Arena Tour


What's black and white riddled with fuzz? No, not Jim James in a tuxedo... It's the Black Keys and Arctic Monkeys, who are spending 2012 together traipsing around North America on an arena tour kicking off March 2nd, a stone's throw away from Dan and Pat's Ohio hood.
Live Keys! Check out photos from the band's El Camino kick-off show in New York City.
This union of riff-roaring royalty feels oh-so-right: Both are recent SPIN covers stars, and both debuted rock-steady new albums in 2011 — the Monkeys' Suck It and See and the Keys' El Camino rocked the plaid off the flannel of our reviews staff. But, most importantly in the Internet age, they became viral stars: The Monkeys gave drummer-turned-biker Matt Helders something new to wail on in their NSFW videos for "Suck It and See" and "Evil Twin" and the Keys' "Lonely Boy" rocketed to YouTube success thanks to their, uh, footloose paunchy dude with moves like Jackson. Not bad for a security guard!
So far only 15 dates are listed, mostly in the northeast, but keep an eye on Arcticmonkeys.com for possible additions. If you can't wait, here's 5 tracks from El Camino. The band performed two of them on last night's Saturday Night Live during their second turn on the show in '11.
Black Keys/Arctic Monkeys Tour Dates:
March 2 - Cincinnati, OH @ U.S. Bank Arena
March 3 - Detroit, MI @ Joe Louis Arena
March 4 - Columbus, OH @ Jerome Schottenstein Center
March 6 - Portland, ME @ Cumberland Co. Civic Center
March 7 - Boston, MA @ TD Garden
March 9 - Washington, DC @ Verizon Center
March 10 - Philadelphia, PA @ Wells Fargo Center
March 12 - New York, NY @ Madison Square Garden
March 13 - Montreal, QC @ Bell Centre
March 14 - Toronto, ON @ Air Canada Centre
March 16 - Indianapolis, IN @ Conesco Fieldhouse
March 18 - Grand Rapids, MI @ Van Andel Arena
March 19 - Chicago, IL @ United Center
March 20 - Cleveland, OH @ Quicken Loans Arena
March 23 - Norfolk, VA @ Constant Convocation Center Selengkapnya...

Metallica Reunite With Jason Newsted at 30th Anniversary Concert


The first of Metallica's four 30th anniversary concerts took place last night at their hometown San Francisco's Fillmore, and on top of a 20-song set that spanned the heavy metal gods' entire catalog — except, thankfully, Lulu — the biggest surprise of the evening came when the band welcomed former bassist Jason Newsted onstage. Newsted, who abruptly left Metallica in 2001 to pursue other musical projects, previously rejoined his former bandmates when they were all inducted into the Rock and Roll Hall of Fame in 2009, but last night was the first time in a decade that the bassist performed with the group at an actual Metallica gig.
According to Rolling Stone, James Hetfield told the packed crowd that they about to be joined by "someone who lived with us, and toured with us, and did stuff with us for 14 years." Then Newsted emerged to perform ...And Justice for All's "Harvester of Sorrow" alongside the band and current bassist Robert Trujillo. Hetfield coaxed Newsted to stay on for one more song — Master of Puppets' "Damage, Inc." — before Metallica invited Saxon's Bif Byford and Diamond Head's Sean Harris and Brian Tatler up for a five-song medley of those influential metal band's songs. Newsted did make one more appearance though, during the concert's encore of "Seek & Destroy."
Metallica have three more 30th anniversary fan club-only shows scheduled at the Fillmore, and then they'll take a break before a series of European festival performance next May and June. Check out "Hate Train," an unreleased track from the Death Magnetic sessions that Metallica performed live for the first time last night:



http://www.spin.com/articles/metallica-reunite-jason-newsted-30th-anniversary-concert Selengkapnya...

Download My Morning Jacket's Twangy Holiday Single



With his signature beard and enthusiastic hippie warmth, Jim James seems like a far more likely holiday crooner than Scott Weiland. But now you can make the call yourself: Does the Stone Temple Pilots frontman's The Most Wonderful Time of the Year spread more cheer than My Morning Jacket's holiday-themed iTunes Session EP? As Hidden Track points out, you can download one track for free right now from the MMJ disc and start comparing.
The mournful, country-tinged ballad "When the Bells Start Ringin'" is a cover of a tune by longtime Neil Young guitar tech Rocky Roberts, originally released on 2007's Rocky Roberts & Friends. My Morning Jacket's rendition is sweetly nostalgic, featuring honky-tonk piano, waltzing acoustic guitar, weeping steel guitar, and of course, James' reverb-soaked croon, amid a gently swelling chorus that recalls Will Oldham's gorgeous "New Partner." Seattle folk-poppers the Head and the Heart get into the spirit on guest vocals.
The Tunes Sessions EP is available for purchase starting today. Reportedly recorded in Amsterdam last month, the effort also finds these Kentucky rockers covering familiar holiday standbys "Have Yourself a Merry Little Christmas," "I'll Be Home for Christmas," and "Please Come Home for Christmas." There's also what appears to be a new song, titled "Welcome Home," plus a version of "Wonderful (The Way I Feel)," from this year's resurgent Circuital.
James, a vocal supporter of indie retailers, isn't forgetting about the little guys. Next week, My Morning Jacket will also release a limited-edition 7" single, which will be available only in independent record stores. The record includes rejected The Muppets movie track "Friends Again" on the A-side and an "alternate universe take" of Circuital's "Outta My System" on the B-side.

http://www.spin.com/articles/download-my-morning-jackets-twangy-holiday-single Selengkapnya...

Adele Will Not Accept Your North American Beer; Twix, However, Is OK


Adele has sold millions of albums worldwide while somehow managing to remain aloof from the flash and swagger of most other contemporary pop. She's palatable to the masses, then, but not exactly in a down-market way. Which, as it turns out, also neatly describes the British singer-songwriter's taste in beer.
The Smoking Gun got hold of Adele's tour rider, and in addition to two bottles of the "very best quality red wine," the retro-soul phenom demands 12 bottles of "best quality European lager beer. ie Becks, Stella Artois, Peroni etc." As for what she doesn't want, she warns, "North American beer is NOT acceptable."
Whether you love Adele and a cold Stella, or merely tolerate them, those choices are pretty fitting, right? It's not as if Adele is asking for anything exotic here — or anything that's so vastly superior to North American beer (none of her choices receives better than a mediocre "C" rating from the expert hop heads over at Beeradvocate). In fact, by disallowing any of North America's many wonderful microbrews, she's actually missing out some good stuff. And paying a premium over Budweiser, Miller, or Schlitz.
Think of Adele at this summer's MTV Video Music Awards, where her performance of 21 cut "Someone Like You" spurred the song to the top of the Billboard singles chart. Like Beck's or Stella, she was popular enough to be there in the first place. But on the other hand, she set herself apart — her unadorned rendition stood out in a show otherwise marked by a mad-hatted Katy Perry or madly dancing Chris Brown. Then again, a stuffy insistence on the superiority of traditional performance can result in missing out on a lot of fun: the party-friendly hits of VMA winner (and recent birthday girl) Britney Spears, for instance.
Moreover, when it comes to cigarettes, Adele — who was recently nominated for six Grammy awards — has no such bourgeois affectations. She insists on a pack of Marlboro Lights and a disposable lighter, according to the Smoking Gun — though it's unclear whether that's changed amid the "Rolling in the Deep" singer's ongoing recovery from vocal chord surgery. Her tastes in sweets are similarly populist, including Twix, Milky Way, and Mars, among other acceptable candy bars. Just don't try to buy her a Bud Light
Here's what Dennis Hopper wants to know: Does Adele like Heineken?

 http://www.spin.com/articles/adele-will-not-accept-your-north-american-beer-twix-however-ok Selengkapnya...